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The painting features an arrangement of flowers, with a prominent vase at the center. The bouquet is showcasing a variety of blooms. There are chamomile and iris, phloxes are creating a voluminous base, while the focal point is a Spider flower positioned in the center. Columbine gracefully hangs down, blending with the cleome leaves to add a sense of flow to the composition.
The upper part of the painting is set against a smooth, dark grey-blue background, creating a contrast with the vibrant colors of the flowers. The lower portion reveals a dark purple, almost black vase that serves as the foundation for the floral display. An intriguing element is the yellow inscription “thunder” and lightnings, which are vertically placed on the vase, adding an unexpected and dynamic touch to the overall scene.
The background of the vase appears to be reminiscent of a tablecloth with a lopsided check pattern. The check pattern is red on a pale blue-green background, creating a visually interesting and textured base for the arrangement. The combination of vibrant floral colors, the dark vase with its bold inscription, and the intricate background patterns contributes to the overall complexity and visual richness of the painting.
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I studied design at the Academy of Fine Arts in Cracow though I really wanted to either study painting, or goat and sheep breeding. I obeyed the advice given and followed what was deemed to be the wiser and more conventional path, though this was short-lived as I quickly returned to nature and painting.
My paintings draw from the world of plants and animals. I am inspired by these worlds, I like to transform them, simplify them, change their colors and add meaning to them. I enjoy the huge bouquets bursting from the vases. I am fascinated by the hare’s crazy eyes that are following me in the studio.
I use various media in Canary Yellow Mallow Vases. Often the base is acrylic paints. Based on this, I start using contrasts. Thick and thin lines as well as spots and smooth color transitions argue for their place. My works are full of colors, shapes, lines, spots, thick lines and patterns.
Based on the description, they could be accused of chaos and disharmony, but this is not the case. The compositions are mostly static, hieratic, central, even if they use asymmetry, they maintain balance. Every rebellion has its own framework here – a framework within which it is fulfilled.
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