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The painting presents a vibrant bouquet of flowers nestled within a striking orange vase, its spherical base tapering into a slender neck. Rescaled and simplified blooms burst forth from the vessel, creating a captivating array of colors and textures.
At the pinnacle of the composition, two delicate pink carnations command attention, gracefully poised atop the arrangement. Just below, a light pink cosmos flower adds a soft hue, while the vibrant yellow daffodils and regal purple scabiosa flowers offer contrasting splashes of color. Interspersed amidst the blossoms, dark green ivy leaves add depth and contrast.
Towards the top of the painting, a lunaria plant subtly blends into the background, adding an ethereal touch to the scene. Meanwhile, twigs of amur peppervine thicken the lower portion of the composition, grounding the bouquet with their organic forms.
The bottom of the painting is characterized by density, as a variable grapevine stretches across a backdrop of motley marble flooring. Softened patterns and muted colors dominate this portion of the composition, with the terrazzo floor rendered in subdued peach and blue tones, while the vine is depicted in shades of gray. Overall, the painting captures the essence of a lush floral arrangement, juxtaposed against a backdrop of textured surfaces and subdued hues, creating a harmonious and visually engaging composition.
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I studied design at the Academy of Fine Arts in Cracow though I really wanted to either study painting, or goat and sheep breeding. I obeyed the advice given and followed what was deemed to be the wiser and more conventional path, though this was short-lived as I quickly returned to nature and painting.
My paintings draw from the world of plants and animals. I am inspired by these worlds, I like to transform them, simplify them, change their colors and add meaning to them. I enjoy the huge bouquets bursting from the vases. I am fascinated by the hare’s crazy eyes that are following me in the studio.
I use various media in Canary Yellow Mallow Vases. Often the base is acrylic paints. Based on this, I start using contrasts. Thick and thin lines as well as spots and smooth color transitions argue for their place. My works are full of colors, shapes, lines, spots, thick lines and patterns.
Based on the description, they could be accused of chaos and disharmony, but this is not the case. The compositions are mostly static, hieratic, central, even if they use asymmetry, they maintain balance. Every rebellion has its own framework here – a framework within which it is fulfilled.