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The painting depicts a floral arrangement set within a surreal and stylized composition. Enlarged, exaggerated flowers diverge from realism, with red Anthurium and blue poppies being the primary blooms. These flowers are not depicted in their natural proportions; instead, they are scaled up and simplified, giving them a geometric and abstract quality.
Accompanying the vibrant flowers are large, simplified green leaves of monstera and begonia, contributing to the overall bold aesthetic of the arrangement. Additionally, a twig from the Stephania erecta plant protrudes from the vase, adding an organic element to the composition.
The background of the image is brown, providing a stark contrast to the vivid colors of the flowers and leaves. Behind the vase, a geometric wallpaper pattern emerges, composed of gray shapes that add depth and texture to the scene.
At the forefront of the composition is a blue vase adorned with a sun motif on the front. The overall effect is a bold and hieratic floral composition that captivates the viewer with its unique blend of abstraction and natural elements.
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I studied design at the Academy of Fine Arts in Cracow though I really wanted to either study painting, or goat and sheep breeding. I obeyed the advice given and followed what was deemed to be the wiser and more conventional path, though this was short-lived as I quickly returned to nature and painting.
My paintings draw from the world of plants and animals. I am inspired by these worlds, I like to transform them, simplify them, change their colors and add meaning to them. I enjoy the huge bouquets bursting from the vases. I am fascinated by the hare’s crazy eyes that are following me in the studio.
I use various media in Canary Yellow Mallow Vases. Often the base is acrylic paints. Based on this, I start using contrasts. Thick and thin lines as well as spots and smooth color transitions argue for their place. My works are full of colors, shapes, lines, spots, thick lines and patterns.
Based on the description, they could be accused of chaos and disharmony, but this is not the case. The compositions are mostly static, hieratic, central, even if they use asymmetry, they maintain balance. Every rebellion has its own framework here – a framework within which it is fulfilled.