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A painting on paper comes alive with a striking composition. Within a vase, a burst of stylized flowers captivates the eye. These blooms transcend realism, as they’ve been enlarged, flattened, and artfully simplified. The scene showcases red lilies, pink hibiscus, regal purple scabiosa, and delicate asters. The arrangement is harmoniously complemented by the intricate dark green, marbled leaves of the monstera and epipremnum plants.
The backdrop of the artwork is a gradient of light browns, transitioning seamlessly from a warm honey hue to a cooler sepia tone. The flowers extend beyond the confines of the vase, their vivacity radiating outward. The vase itself is a shade of purple, adorned with the constellation of Ursa Major, commonly known as the Great Bear. Amidst the celestial pattern, a few stars twinkle, adding a touch of celestial charm.
Adding further depth to the composition, a fragment of lyrics from the band Noir Désir’s “Le vent nous portera” is delicately intertwined. This intricate artwork invites viewers to explore its multifaceted layers, where nature, astronomy, and poetic inspiration converge on the paper.
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I studied design at the Academy of Fine Arts in Cracow though I really wanted to either study painting, or goat and sheep breeding. I obeyed the advice given and followed what was deemed to be the wiser and more conventional path, though this was short-lived as I quickly returned to nature and painting.
My paintings draw from the world of plants and animals. I am inspired by these worlds, I like to transform them, simplify them, change their colors and add meaning to them. I enjoy the huge bouquets bursting from the vases. I am fascinated by the hare’s crazy eyes that are following me in the studio.
I use various media in Canary Yellow Mallow Vases. Often the base is acrylic paints. Based on this, I start using contrasts. Thick and thin lines as well as spots and smooth color transitions argue for their place. My works are full of colors, shapes, lines, spots, thick lines and patterns.
Based on the description, they could be accused of chaos and disharmony, but this is not the case. The compositions are mostly static, hieratic, central, even if they use asymmetry, they maintain balance. Every rebellion has its own framework here – a framework within which it is fulfilled.
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